Hannah Arendt doesn’t claim to be a philosopher, political or otherwise. I agree: no philosopher can be such a prose stylist. I read philosophy, too, but philosophy seems to be about tearing down and rebuilding foundations, and I stumble among all the forms and footers. I like the tone of Locke, Kant, and Hobbes, though. For all their precision and rhetorical rebar, I find a passion that gets below the frost line.
I’ve always read for tone even when comprehension escapes me. When I was thirteen, I read The Brothers Karamazov and Tom Jones for tone alone, I believe, because for years all I could remember of them was their respective tones. I liked the passion that pushed Dostoevsky’s tragic pen and Fielding’s comedic one, but I can’t say I could have analyzed them well, for what that would have been worth.
Arendt reads philosophers for tone, too. In a beautifully developed metaphor, she compares the tone in Kierkegaard, Nietzsche, Marx, and the rest of the big-name philosophers since Machiavelli to “children whistling louder and louder because they are whistling in the dark.” These men are a few steps ahead of us in this darkness, she believes: they understand before we do the ramifications of the loss of tradition and authority (the darkness is this loss) in Western politics due to the separation of church and state, itself due (in part) to the scientific revolution. (This separation ended a successful marriage of princely power and Papal authority that had begun in the fourth century. Of course, this marriage itself was one of convenience, coming as it did when Rome was losing its political authority, and I think for most of a millennium there were separate bedrooms.) In Arendt’s darkness metaphor, the break didn’t scare our big-name philosophers, but the darkness’s silence did. What will life be like when the silence gives way? We live after “the thunder of the eventual explosion” – Stalin and Hitler, presumably – so we can “hardly listen any longer to the overloud, ‘pathetic’ style” in the philosophers’ writing.1
What’s even more frightening for Arendt than Hitler and Stalin is what gives rise to them and what is still not addressed. She finishes her metaphor: the thunderous exigencies of the recent past – and of the present, we may now add – have “also drowned the preceding ominous silence that still answers us whenever we dare to ask, not ‘What are we fighting against’ but ‘What are we fighting for?’”2 We are against bureaucracy, white supremacy, and plutocracy, nationalism and fascism, but confusion reigns whenever we ask ourselves the latter question, as we must. We have quick answers, but they’re the stuff of coalitions, not of foundations. To read Arendt is to join her in exploring the silence.
Arendt has taught me not to blame the philosophers, with the possible exception of Plato. (More on him, perhaps, in another post.) These men intuited the problem and explored solutions, all of which Arendt believes failed. But if one views their proposals as theories, and if one further defines “theories” as that term was understood before the scientific revolution (“a system of reasonably connected truths which as such had been not made but given to reason and the senses,” and not the later “working hypothesis, changing in accordance with the results it produces and depending for its validity not on what it ‘reveals’ but on whether it ‘works’”3), then the philosophers are helpful. I can’t blame Hegel for Hitler or Marx for Lenin and Stalin.
Nor can I blame Ivan on Smerdyakov, much as I still love The Brothers Karamazov. And I no longer blame Smerdiakov on German historicism, bad as it is. Arendt is a better political theorist than Dostoyevsky.
Arendt – not a philosopher but a political theorist – is the philosophers’ supporter and friend. (She was also, of course, for four years Martin Heidegger’s lover.) She takes in centuries of philosophy – and history and literature, concerning which she’s also no slouch – and explains how the philosophers call and answer one another over time and space. I would be as good at understanding these communications as I would be at decrypting whale talk. She may touch on current events – she may write a book on German and Soviet totalitarianism and another on Eichmann – but all of her books, topical or otherwise, synthesize theory and history and speak to our present political predicament better than do our own commentators.
Our news commentary is, of course, shallow and divided, and it’s worse for having for its never-changing subject such a figure as our president. If today’s political climate were as funny as those desperate sketches on SNL insist it is, I’d read Fielding again. Tom Jones, a protean force, illegally shoots a partridge in one chapter, and the entire next chapter is given over to Tom’s schoolmaster and his family’s friend contextualizing the killing within their narrow, longstanding, competing, and futile political worldviews. In the succeeding chapters, of course, Jones, oblivious to the subtleties of such debates, is off on more misadventures.
Fielding’s two commentators, “Mr. Thwackum the Divine” and “Mr. Square the Philosopher,” roughly represent the views of today’s two-party system. One could read Tom Jones as an early warning about what Arendt calls “the rise of political movements intent upon replacing the party system.”4 And one can read Thwackum and Squire any time on any number of news outlets, left and right.
Arendt is above – or, rather, beneath – all that. She writes in the spirit of Goethe, who compared the West’s political world to a big city:
Like a big city, our moral and political world is undermined with subterranean roads, cellars, and sewers, about whose connection and dwelling conditions nobody seems to reflect or think; but those who know something of this will find it much more understandable if here or there, now or then, the earth crumbles away, smoke rises out of a crack, and strange voices are heard.5
If political philosophers create foundations, then Arendt inspects them. She nods when we’re together and I see more smoke.
I’ve had lots of literary companions over the years, mostly for my private sphere. Now that the night’s thunder is reverberating again in our public world, I’m finding new poets, historians, theorists, and spiritual writers to walk in the dark with me. My favorite literary companion, though, is Arendt.
If you take me up on reading Arendt – perhaps by giving up political commentary for Lent (and to that limited extent re-coupling church and state) – you might start with something more concrete and topical, such as The Origins of Totalitarianism, Eichmann on Jerusalem: A Report on the Banality of Evil, and On Revolution (mostly about the United States, Arendt’s new home after escaping Nazi Germany). Then move to Between Past and Future, the scariest and most hopeful book I may have ever read outside of scripture. The chapter on education is hardly worth reading, but I’ve read much of the rest of it four or five times so far. I’ve started another collection of Arendt essays cobbled together twenty years ago by Jerome Kohn, Arendt’s literary trustee, entitled The Promise of Politics. Promise serves as an understudy for Between Past and Future, and it fills in a lot of the historical and philosophical blanks the more lively and daring Between Past and Future leaps over.
Finally, I can’t recommend Richard J. Bernstein’s book Why Read Hannah Arendt Now? enough, though I’ve never read it. It won’t be released until June. But considering the title and the author, it should be good. At only 110 pages, Why Read will be on my nightstand, the Lord willing, with Timothy Snyder’s diminutive On Tyranny, not to mention Arendt’s Between Past and Future, the holy scriptures, and by then who knows what else.
[Featured image: “Storm” by rod amaru. Used by permission.]