Looking out my window, I see a temporary sign face down on the traffic island between the east- and westbound traffic. In our suburban town, these islands themselves are signs. If a school bus stops in the opposite direction on a divided street (that is, a street with an island) to pick up children, you don’t stop. If the street isn’t divided, though, you must stop. The island creates a legal fiction: you don’t see the bus’s outstretched stop sign because of the island. The island, I suppose, suggests something about whether drivers along the road are expected to anticipate pedestrians.
There are islands like traffic islands along the Potomac where we live, above the falls. (South of the Potomac, but above the falls.) You’d paddle or sail across the river, portage your boat across the narrow island, and paddle or sail again. And you’d be in Maryland. (“Mainland” Maryland, I suppose, since the the islands themselves, like the river, are in Maryland. Borders are fictions, too, and sometimes they are also invisible.)
Alexis de Tocqueville, my latest live-in author, never associates civilization with civility. Here’s an example of how he uses “civilization” from Democracy in America:
The celebrated communities of antiquity were all founded in the midst of hostile nations, which they were obliged to subjugate before they could flourish in their place. Even the moderns have found, in some parts of South America, vast regions inhabited by a people of inferior civilization, but which occupied and cultivated the soil. To found their new states it was necessary to extirpate or to subdue a numerous population, until civilization has been made to blush for their success.1
I ask for greater civic life, but I’m not asking for greater civilization or even greater civility. I ask that we act, and in acting we challenge our assumptions about public life and our own being. We act, and we discover new thoughts and words commensurate with the act. Our hands and our feet teach us, much as they did when we were young.
Philip Kenicott has a nice piece in today’s Post on the Glenstone Museum’s new facility in Potomac. The Glenstone hopes to make interacting with art more contemplative. In the process of describing how it navigates the museum-as-temple and the museum-as-civic-center tension, Kenicott discusses the slow art movement. The movement considers not only the sign (the art) and the signified (the eternal, the meaning, the feeling, the transcendent, what have you) but also the soul.
Our signs — our means of policing ourselves in our positivistic, malum prohibitum society — rarely involve an interpretant. They don’t rise to the level of malum in se, which would require conscience and a notion of right and wrong that transcends law and even society. Cars move too fast for the moral judgment democracy craves.
- de Tocqueville, Alexis. Democracy in America (Kindle Locations 4641-4645). Packard Technologies. Kindle Edition. ↩