On Linked aphorisms: Barthes, the cootie catcher, and a way of tweeting. Susan Sontag: “. . .Barthes invariably performs in a affable register. There are no rude or prophetic claims, no pleadings with the reader, and no efforts not to be understood. This is seduction as play, never violation. All of Barthes’s work is an exploration of the histrionic or ludic; in many ingenious modes, a plea for savor, for a festive (rather than dogmatic or credulous) relation to ideas.”
Barthes’s strategy of linked aphorisms is part of his “exploration of the histrionic or ludic.”
Barthes’s world feels like a circus, under the big top and at sunrise, too, when the trapeze artist, assigned a month into the season to pick up the park because the clown during a card game told the men that he had seen her lying on the grass and listening to the dawn chorus, pokes the cups with her stick. Barthes’s circus is the poet Robert Lax‘s circus, a world of vocation and honest living.