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*with exclusive inerview

 
poetry and sacred reading

[readingarts]

Lectio divina is like reading poetry: we need to slow down, to savor what we read, and to allow the text to trigger memories and associations that reside below the threshold of awareness.

Michael Casey's comparison of poetry and meditation (lectio divina being perhaps the most flexible and durable in the Christian tradition) in his book Sacred Reading: The Ancient Art of Lectio Divina got me to thinking. What else might poetry and devotional reading have in common besides the slower and more intuitive reading skills they demand?

Perhaps both poetry and meditation offer us the possibility of rediscovering our hearts. Sometimes, at a certain point in poetry reading or devotional reading, the rest of the mind is asked to stay in shallow waters while the heart - something both vague and vital - plays like a porpoise that has just rediscovered the open sea. The mind becomes aware of a certain distinction between it and the heart.

While we're engaged in poetry or sacred reading, the uniqueness of a turn of phrase or the power of an image may have our attention for a while. At some point after these early motions, however, something strange may happen. We may move, however vaguely or imperceptibly, into a new realm. In the framework of lectio divina, we may move from lectio (reading) into the remaining three "moments": meditatio, oratio, and contemplatio. Our slow reading opens the door to a slow kingdom. Perhaps it is similar to becoming travelers to something like John Keats's "realms of gold" - the world he discovers himself in while reading Homer.

I love Teju Cole's occasional references to "the kingdom of poetry" along with the brief parables that accompany them at miracle speech, his poetry web site. Parables, koans, and failed analogies sometimes seem like the only kind of mental diplomacy possible between the realm we normally walk in and the kingdom of the heart.

Asked to disengage from the kingdom it normally functions in, the mind - the more efficient and confident (or confidently unconfident) part of us - may struggle. Perhaps this newly discovered kingdom that attracts our hearts might pose some kind of vague threat to something fundamental: our self-concept or our life's work. If, as poet Billy Collins claims, poetry helps us discover who we are, then the part of us that doesn't really exist may feel threatened. While our heart may herald a new kingdom's arrival, another part of us may hang back like King Herod, sending the heart off for more particulars ostensibly so that we may later come and worship, too.

A comparison of poetry reading with meditation or sacred reading is limited, of course, and perhaps unhelpful to most. I haven't done justice to either form of reading. For one thing, I've limited myself to one experience in reading poetry or devotional works. On the other hand, others may find a comparison unhelpful because there is nothing to compare. Someone inclined to either poetry or to devotional literature may find sufficient reading spray-painted on an overpass.

 

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Posted January 2007

 
passages

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[tree]

the cassandra pages.

The drive west last week, across Vermont and into New York, was one of the most ethereal and beautiful trips I've ever made over that route. I traveled in silence, in the early morning, alone. The clouds still hung low over the Green Mountains, and a hazy fog persisted in the flatter pastures on the border between the two states south of Lake George - it would burn off later in the morning and expose the extreme heat we've had since. But in those early morning hours, the mountains and farmland were dreamy and quiet and empty as the space in which I was traveling.

[Here's the whole post.]


On the Slow Train.

What I had learned was folk etymology--what Wikipedia calls "A commonly held misunderstanding of the origin of a particular word, a false etymology." Folk etymologies are usually more interesting than the actual word origin. Sometimes folk etymologies can unfairly cast a bad light on some perfectly innocent words, such as picnic, or phrases such as rule of thumb. But for the most part, folk etymologies can be a lot of fun.

[Here's the whole post.]

[leaf]

Creature of the Shade.

But as soon as I asked it I knew she wouldn't be able to answer. I was looking for something like "north" or "west," but she, despite being a transport management professional, just didn't use such words to organize her sense of a city. She used words like "green building" and "flagpole." She could speak of left and right, but these narrative markers don't help you unless you're already on the right course.

[Here's the whole post.]


not native fruit.

I've just begun a new book by Susan Griffin, "Wrestling with the Angel of Democracy." So far, it lives up to Griffin's standards for exquisite reasoning and prose. She leads us through the labyrinth of her own inner experience where it meets the outer world of both history and current events. At certain points of connection with current events I remember feeling exactly what she expresses. I take it that the inference of the book's title is that, just as in the Bible story when Jacob wrestles with the angel of the Lord and will not let him go until the angel blesses him, we must now wrestle with the angel of democracy, and not let him go.

[Here's the whole post.]

[picture]

Everydayandeverynight.com.

I'm launching my journal again for 5768/2008.

In this omer journal, I take a Jewish-mythic point-of-view which presumes that I, personally, together with all Jews past, present and future, left Egypt and stood at Mt. Sinai together. This perspective challenges each Jew to join the Jewish experience and not be limited by the actual historical time period in which one lives. This perspective places human imagination at the center of religious engagement.

Our leaving Egypt is only the beginning of our path to liberation. Free from the bonds of Pharaoh, we seek a better, more human life. We begin this journey by the shores of the Nile. We look back in awe at a sea now appearing normal after having miraculously parted. But what now?

[Here's the whole post.]


via negativa.

It was my birthday, and I had been given a live shrew in a box — not for a pet, but simply to admire and to photograph. I was a little disappointed at first that I didn’t get any real presents, but the shrew was an admirably fierce little creature who attacked anything thrust in its direction, and I soon appreciated the wisdom of the gesture: loaning me a fully wild creature, something that can never be owned or controlled. The idea that anyone can own anything — it’s such a delusion, isn’t it? But that’s what drives this mania of consumption imperiling the earth.

[Here's the whole post.]

[picture]

Mole.

Darling,
The rain you sent was mixed with snow.
I could not tell which between
The snowflakes and the apple blossom
On the black sidewalk; I woke and you were

[Here's the whole poem.]

[Picture]

The Middlewesterner.

You see what you see. Don't beat yourself up too badly about it. Tomorrow the sky will be something different, a blue sheerness of petticoat, a shiny muslin, a white gauze.

Metaphor takes you away; it doesn't bring you back. You come back on your own if you get here at all.

[Here's the whole post.]

[Picture]

Lekshe's Mistake.

Place
is not substance, not
a point in space,
more a point in time
when the conjunction of mind
and matter create
an experience
that
makes us believe there is a spot
to which we can return.

[Here's the whole poem.]


Marcia Bonta.

Dragoo, affectionately referred to as “Skunk Man,” has little or no sense of smell, so as a mephitologist he can easily study and live with skunks. When he wants one for his research, he chases it down, picks it up by its tail, and is liberally sprayed, because, as skunk expert Richard G. Van Gelder discovered back in the 1960s, you can only grab a skunk by the tail and escape being sprayed if you surprise the animal. Otherwise, it is able to evert its anus and expose the nipples from its huge and squishy scent sacs, which are then ready to fire even if you do pick it up by its tail.

[Here's the whole post.]

[child walking]

Dick Jones' Patteran Pages.

Your soft clock
scatters seconds like
peas on a drum.

A feather pulse
stutters in your
neck.

[Here's the whole poem.]

[duck photo]

Slow Reader.

Aubrey is the guru of the Shelf Monkeys, a secret ‘book club’ to which Thomas gets invited. “Some books are simply a waste of paper, a waste of effort both to write and to read.” The flaming cover of this novel is sufficient clue to the book burnings that ensue, inspired by Fahrenheit 451. Books burnings, by the literate?! Only for books deemed not worthy by the members’ code. “We meet, we debate, we burn. It’s therapy, really.” Things escalate quickly and darkly, Lord of the Flies style, and Thomas is compelled to choose between his loyalties to his friends, literature, ethics, and his sanity.

[Here's the whole post.]


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