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spirituality

    kim boykin*

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    chester p. michael*

    isabel briggs myers

    henri nouwen

    fiona robyn

    douglas v. steere

*with exclusive inerview

 
tom montag's morning drive journal

[characters][For an explanation of "Morning Drive Journal," click here.]

December 23, 1998

Weather and love are always and only local. Oh the storm may blow in from the mountains or down from Canada, but it means something to us only when it's here. Like love, there's a lot of weather we don't notice, that we take for granted. It is fiery passion that explodes in us, the throb of excitement, the sear. That, we think, is love. The tornado is weather, but so is the pale blue day. A slight breeze in the leaves, just a faint rustle of the leaves, so quiet you'd hardly notice. A thousand days of quiet commitment is love, as much as the hard-charging stallion of passion. I recognize both and I have reconciled them within myself - love the passion, love the quiet commitment; love the winter storm blowing, love the quiet day.

It must be a little warmer this morning. Thermometer in the garage says it is about 10 degrees above zero.

The sun at its southernmost point rises behind the house next to the old school; this is from the vantage point of the driver's seat of the pick-up at the stop sign, corner of Washington and Main, Fairwater, December 23, 1998, 7:35 a.m.

I taste myself in the air today. And though I do not see it, I taste the hawk as well.

The sky is pale blue. There is a faint pink glow of haze again at all the world's edges, soft, delicate as a girl's desire, blushing shyly. The blue of her eyes. We just keep rolling into morning, seduced.

Snow banks have drifted into the ditch on the west side of Highway E. Now you cannot deny it is winter. The snow banks look like the blue heart of winter. They look like the cold shoulder of God. They look like the wall upon which all hope is dashed. Yet I have come too far to give up now.

May 13, 1998

Another fine day, after a little rain last night. The mourning dove flies from our driveway. The wind ruffles the surface of the pond. Blue sky. Here we go.

Great piles of stone have been dumped in the canning factory's field north of town. Perhaps they will put stone along the paths of the tires of their irrigation unit?

The field of peas is already thick green. There is a hint of corn in another field. Blossoms are off the trees in the orchard of the farmstead north of Carter Road. The old horse is out to the far end of his pasture this morning. This is not usual. What is it a portent of?

The fields south of Five Corners are still wet, still untilled. The weeds overtake them.


[Copyright © 1998-2007 Tom Montag. Used with permission. Visit Tom Montag's web site, The Middlewesterner, for Morning Drive Journal entries as well as fine essays, blog posts, and poetry.]

 
passages

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[tree]

the cassandra pages.

The drive west last week, across Vermont and into New York, was one of the most ethereal and beautiful trips I've ever made over that route. I traveled in silence, in the early morning, alone. The clouds still hung low over the Green Mountains, and a hazy fog persisted in the flatter pastures on the border between the two states south of Lake George - it would burn off later in the morning and expose the extreme heat we've had since. But in those early morning hours, the mountains and farmland were dreamy and quiet and empty as the space in which I was traveling.

[Here's the whole post.]


On the Slow Train.

What I had learned was folk etymology--what Wikipedia calls "A commonly held misunderstanding of the origin of a particular word, a false etymology." Folk etymologies are usually more interesting than the actual word origin. Sometimes folk etymologies can unfairly cast a bad light on some perfectly innocent words, such as picnic, or phrases such as rule of thumb. But for the most part, folk etymologies can be a lot of fun.

[Here's the whole post.]

[leaf]

Creature of the Shade.

But as soon as I asked it I knew she wouldn't be able to answer. I was looking for something like "north" or "west," but she, despite being a transport management professional, just didn't use such words to organize her sense of a city. She used words like "green building" and "flagpole." She could speak of left and right, but these narrative markers don't help you unless you're already on the right course.

[Here's the whole post.]


not native fruit.

I've just begun a new book by Susan Griffin, "Wrestling with the Angel of Democracy." So far, it lives up to Griffin's standards for exquisite reasoning and prose. She leads us through the labyrinth of her own inner experience where it meets the outer world of both history and current events. At certain points of connection with current events I remember feeling exactly what she expresses. I take it that the inference of the book's title is that, just as in the Bible story when Jacob wrestles with the angel of the Lord and will not let him go until the angel blesses him, we must now wrestle with the angel of democracy, and not let him go.

[Here's the whole post.]

[picture]

Everydayandeverynight.com.

I'm launching my journal again for 5768/2008.

In this omer journal, I take a Jewish-mythic point-of-view which presumes that I, personally, together with all Jews past, present and future, left Egypt and stood at Mt. Sinai together. This perspective challenges each Jew to join the Jewish experience and not be limited by the actual historical time period in which one lives. This perspective places human imagination at the center of religious engagement.

Our leaving Egypt is only the beginning of our path to liberation. Free from the bonds of Pharaoh, we seek a better, more human life. We begin this journey by the shores of the Nile. We look back in awe at a sea now appearing normal after having miraculously parted. But what now?

[Here's the whole post.]


via negativa.

It was my birthday, and I had been given a live shrew in a box — not for a pet, but simply to admire and to photograph. I was a little disappointed at first that I didn’t get any real presents, but the shrew was an admirably fierce little creature who attacked anything thrust in its direction, and I soon appreciated the wisdom of the gesture: loaning me a fully wild creature, something that can never be owned or controlled. The idea that anyone can own anything — it’s such a delusion, isn’t it? But that’s what drives this mania of consumption imperiling the earth.

[Here's the whole post.]

[picture]

Mole.

Darling,
The rain you sent was mixed with snow.
I could not tell which between
The snowflakes and the apple blossom
On the black sidewalk; I woke and you were

[Here's the whole poem.]

[Picture]

The Middlewesterner.

You see what you see. Don't beat yourself up too badly about it. Tomorrow the sky will be something different, a blue sheerness of petticoat, a shiny muslin, a white gauze.

Metaphor takes you away; it doesn't bring you back. You come back on your own if you get here at all.

[Here's the whole post.]

[Picture]

Lekshe's Mistake.

Place
is not substance, not
a point in space,
more a point in time
when the conjunction of mind
and matter create
an experience
that
makes us believe there is a spot
to which we can return.

[Here's the whole poem.]


Marcia Bonta.

Dragoo, affectionately referred to as “Skunk Man,” has little or no sense of smell, so as a mephitologist he can easily study and live with skunks. When he wants one for his research, he chases it down, picks it up by its tail, and is liberally sprayed, because, as skunk expert Richard G. Van Gelder discovered back in the 1960s, you can only grab a skunk by the tail and escape being sprayed if you surprise the animal. Otherwise, it is able to evert its anus and expose the nipples from its huge and squishy scent sacs, which are then ready to fire even if you do pick it up by its tail.

[Here's the whole post.]

[child walking]

Dick Jones' Patteran Pages.

Your soft clock
scatters seconds like
peas on a drum.

A feather pulse
stutters in your
neck.

[Here's the whole poem.]

[duck photo]

Slow Reader.

Aubrey is the guru of the Shelf Monkeys, a secret ‘book club’ to which Thomas gets invited. “Some books are simply a waste of paper, a waste of effort both to write and to read.” The flaming cover of this novel is sufficient clue to the book burnings that ensue, inspired by Fahrenheit 451. Books burnings, by the literate?! Only for books deemed not worthy by the members’ code. “We meet, we debate, we burn. It’s therapy, really.” Things escalate quickly and darkly, Lord of the Flies style, and Thomas is compelled to choose between his loyalties to his friends, literature, ethics, and his sanity.

[Here's the whole post.]


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