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*with exclusive inerview

 
every curling thing

[characters]by lekshe

The roof is agleam with rain. Lustrous, vitreous, liquid. The lilacs are already leaning close to the grass with the weight. The succulents are baccate and bursting. The tulips' silky petals have fallen off and litter the ground, leaving the stamens bare, the pollen squandered.

The bamboo are thirsty. They drink, drink, drink. They shudder in the slight wind and plan the takeover of another inch of land.

The soft fiddleheads of the fern uncurl in the dampness. The Solomon's Seal gets greener every day. The herbs have woken up-oregano, lemon thyme, rosemary-others whose names elude me. The mint already threatens to crowd out its less robust neighbors, spilling over the edge of the herb garden onto the hazel shell path. The lemon balm is bride's bouquet feathery, lucid juice. The violets drop their last shy offerings.

Tiny sweet peas are reaching, wrapping their sinuous embrace around the small twig fence, calling each other to bloom and bless. Every curved and curling thing belongs here, reaching up, wanting the blue sky of summer.

The honeysuckle is out of hand, creeping across the rafters, threatening to grow up through the crack in the roof and down to Pearl's yard. The nervous wisteria is grasping, twisting, clinging-as always, unsure. The purple clematis has had its way with the trellis and is reaching over, unsatisfied, to entwine the rose, who leans now over the lettuce to protect her from the elements. They love the rain. They love each other, mannerless but well meaning youth.

The chard and potato vines are small, still. Waiting. Waiting for a more certain invitation from the sun. Soon. Can they feel it?

The sun shines through all this green and it speaks of summer coming-of thick clumps of orange, yellow and pink-edged Hemerocallis, the elegant tetraploid daylilies whose slender stalks will bend under the weight of the fully bloomed flowers. Of strawberries. Mouths full of evergreen strawberries. And blueberries for the tiny fingers of greedy children who climb the fence and visit. Of blood-red roses so big and so peppery they make me lazy. Of the shy climbing rose that hides herself along the edge of the garage, dropping a lithe branch to tease. Of the stately elephant grass that will be the last stubborn thing to linger after the fall freeze.

Tiny grape hyacinth, marigolds dutifully fencing out sluggish intruders, peasant-bright geraniums bravely leafing and blooming. These are only the ones whose names I know. There are more, and all live under a stately maple tree that threatens to drop an ancient, mossy branch on the garage.

I don't have this garden. It has me. It will have me in summer, late at night, under strings of colored lights, leaning over the teak table, tea in the chipped cup, reading the last post on your blog, wondering, as I do, always, what grows under your feet and out your window.

[Enjoy more of lekshe's posts at Lekshe's Mistake.]

 

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[tree]

the cassandra pages.

The drive west last week, across Vermont and into New York, was one of the most ethereal and beautiful trips I've ever made over that route. I traveled in silence, in the early morning, alone. The clouds still hung low over the Green Mountains, and a hazy fog persisted in the flatter pastures on the border between the two states south of Lake George - it would burn off later in the morning and expose the extreme heat we've had since. But in those early morning hours, the mountains and farmland were dreamy and quiet and empty as the space in which I was traveling.

[Here's the whole post.]


On the Slow Train.

What I had learned was folk etymology--what Wikipedia calls "A commonly held misunderstanding of the origin of a particular word, a false etymology." Folk etymologies are usually more interesting than the actual word origin. Sometimes folk etymologies can unfairly cast a bad light on some perfectly innocent words, such as picnic, or phrases such as rule of thumb. But for the most part, folk etymologies can be a lot of fun.

[Here's the whole post.]

[leaf]

Creature of the Shade.

But as soon as I asked it I knew she wouldn't be able to answer. I was looking for something like "north" or "west," but she, despite being a transport management professional, just didn't use such words to organize her sense of a city. She used words like "green building" and "flagpole." She could speak of left and right, but these narrative markers don't help you unless you're already on the right course.

[Here's the whole post.]


not native fruit.

I've just begun a new book by Susan Griffin, "Wrestling with the Angel of Democracy." So far, it lives up to Griffin's standards for exquisite reasoning and prose. She leads us through the labyrinth of her own inner experience where it meets the outer world of both history and current events. At certain points of connection with current events I remember feeling exactly what she expresses. I take it that the inference of the book's title is that, just as in the Bible story when Jacob wrestles with the angel of the Lord and will not let him go until the angel blesses him, we must now wrestle with the angel of democracy, and not let him go.

[Here's the whole post.]

[picture]

Everydayandeverynight.com.

I'm launching my journal again for 5768/2008.

In this omer journal, I take a Jewish-mythic point-of-view which presumes that I, personally, together with all Jews past, present and future, left Egypt and stood at Mt. Sinai together. This perspective challenges each Jew to join the Jewish experience and not be limited by the actual historical time period in which one lives. This perspective places human imagination at the center of religious engagement.

Our leaving Egypt is only the beginning of our path to liberation. Free from the bonds of Pharaoh, we seek a better, more human life. We begin this journey by the shores of the Nile. We look back in awe at a sea now appearing normal after having miraculously parted. But what now?

[Here's the whole post.]


via negativa.

It was my birthday, and I had been given a live shrew in a box — not for a pet, but simply to admire and to photograph. I was a little disappointed at first that I didn’t get any real presents, but the shrew was an admirably fierce little creature who attacked anything thrust in its direction, and I soon appreciated the wisdom of the gesture: loaning me a fully wild creature, something that can never be owned or controlled. The idea that anyone can own anything — it’s such a delusion, isn’t it? But that’s what drives this mania of consumption imperiling the earth.

[Here's the whole post.]

[picture]

Mole.

Darling,
The rain you sent was mixed with snow.
I could not tell which between
The snowflakes and the apple blossom
On the black sidewalk; I woke and you were

[Here's the whole poem.]

[Picture]

The Middlewesterner.

You see what you see. Don't beat yourself up too badly about it. Tomorrow the sky will be something different, a blue sheerness of petticoat, a shiny muslin, a white gauze.

Metaphor takes you away; it doesn't bring you back. You come back on your own if you get here at all.

[Here's the whole post.]

[Picture]

Lekshe's Mistake.

Place
is not substance, not
a point in space,
more a point in time
when the conjunction of mind
and matter create
an experience
that
makes us believe there is a spot
to which we can return.

[Here's the whole poem.]


Marcia Bonta.

Dragoo, affectionately referred to as “Skunk Man,” has little or no sense of smell, so as a mephitologist he can easily study and live with skunks. When he wants one for his research, he chases it down, picks it up by its tail, and is liberally sprayed, because, as skunk expert Richard G. Van Gelder discovered back in the 1960s, you can only grab a skunk by the tail and escape being sprayed if you surprise the animal. Otherwise, it is able to evert its anus and expose the nipples from its huge and squishy scent sacs, which are then ready to fire even if you do pick it up by its tail.

[Here's the whole post.]

[child walking]

Dick Jones' Patteran Pages.

Your soft clock
scatters seconds like
peas on a drum.

A feather pulse
stutters in your
neck.

[Here's the whole poem.]

[duck photo]

Slow Reader.

Aubrey is the guru of the Shelf Monkeys, a secret ‘book club’ to which Thomas gets invited. “Some books are simply a waste of paper, a waste of effort both to write and to read.” The flaming cover of this novel is sufficient clue to the book burnings that ensue, inspired by Fahrenheit 451. Books burnings, by the literate?! Only for books deemed not worthy by the members’ code. “We meet, we debate, we burn. It’s therapy, really.” Things escalate quickly and darkly, Lord of the Flies style, and Thomas is compelled to choose between his loyalties to his friends, literature, ethics, and his sanity.

[Here's the whole post.]


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Blaugustine
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Everydayandeverynight.com
Feathers of Hope
Fragments from Floyd
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Ivy Is Here
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The Middlewesterner
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My Gorgeous Somewhere
9 to 5 Poet
Not Native Fruit
On the Slow Train
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