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*with exclusive inerview

 
a year to slow down

[reviews]A Year of Questions: How To Slow Down and Fall in Love with Life, by Fiona Robyn

 

A week more of summer, and then the new year.

I've always felt inside that autumn should be the first season, but I’ve dismissed the feeling as school-year conditioning or the product of my love for Yom Kippur.

Fiona Robyn’s new book, A Year of Questions: How To Slow Down and Fall in Love with Life, helped me understand what I may have sensed all along at some level.  The seasons model a soul’s progression, and the soul’s journey starts in something like an autumn.

Fiona’s book is like that: it’s full of realizations that seem to come from within me and not from her.  Fiona is a therapist, and her book is good therapy.

We prepare in autumn.  We clear space, we start to take care of ourselves, and we let ourselves become curious.  Curiosity helps us find out who we are, Fiona concludes.  Winter is the hard side of transformation, when we learn solitude and face our fears.  Spring puts self-discovery into action.  We take risks based on what we’ve learned about ourselves.  Summer is life at its fullest.  We learn to slow down and to live in the present.

Each of the book's seasons has three monthly themes and thirteen weekly emphases.  A week may be a tribute to a disc jockey who selects music he really wants to share or a story about gifts of a meal and flowers that reminded her of how easy it is to reach out to others.  Each week has questions for reflection, suggestions for activities, and thought-provoking quotes.

Fiona is a poet as well as a therapist, and A Year of Questions mixes a poet’s delight in language, story, and irony with a good therapist’s sympathy, guidance, and light touch.

[picture]Fiona’s language moves from the general to the gentle, from the abstract to the image that captures an idea for both the head and the heart.  I’ve skipped to week 43 (I think she understands readers who ignore her chronological format).  For that week, Fiona introduces us to Dave, who has been gardening for 63 years.  Dave has never made much money, and almost no one understands what skill and labor is required for him to maintain the private gardens for his employers.  But she concludes:

He works because he loves to.  Because he’s still learning.  Because he has high standards and takes pride in seeing the results.  Because a robin has recently taken to perching on his wheelbarrow and getting a free ride.

Fiona’s writing is at once grounded, imaginative, humorous, gentle, and gracious.  She’s never above her reader.  She’s open about her own struggles, but she’s never self-deprecating. Even her acknowledgements are a work of art and examples of real gratitude. Her book’s presentation and writing style is as peaceful and joyous as its content.

 

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[tree]

the cassandra pages.

The drive west last week, across Vermont and into New York, was one of the most ethereal and beautiful trips I've ever made over that route. I traveled in silence, in the early morning, alone. The clouds still hung low over the Green Mountains, and a hazy fog persisted in the flatter pastures on the border between the two states south of Lake George - it would burn off later in the morning and expose the extreme heat we've had since. But in those early morning hours, the mountains and farmland were dreamy and quiet and empty as the space in which I was traveling.

[Here's the whole post.]


On the Slow Train.

What I had learned was folk etymology--what Wikipedia calls "A commonly held misunderstanding of the origin of a particular word, a false etymology." Folk etymologies are usually more interesting than the actual word origin. Sometimes folk etymologies can unfairly cast a bad light on some perfectly innocent words, such as picnic, or phrases such as rule of thumb. But for the most part, folk etymologies can be a lot of fun.

[Here's the whole post.]

[leaf]

Creature of the Shade.

But as soon as I asked it I knew she wouldn't be able to answer. I was looking for something like "north" or "west," but she, despite being a transport management professional, just didn't use such words to organize her sense of a city. She used words like "green building" and "flagpole." She could speak of left and right, but these narrative markers don't help you unless you're already on the right course.

[Here's the whole post.]


not native fruit.

I've just begun a new book by Susan Griffin, "Wrestling with the Angel of Democracy." So far, it lives up to Griffin's standards for exquisite reasoning and prose. She leads us through the labyrinth of her own inner experience where it meets the outer world of both history and current events. At certain points of connection with current events I remember feeling exactly what she expresses. I take it that the inference of the book's title is that, just as in the Bible story when Jacob wrestles with the angel of the Lord and will not let him go until the angel blesses him, we must now wrestle with the angel of democracy, and not let him go.

[Here's the whole post.]

[picture]

Everydayandeverynight.com.

I'm launching my journal again for 5768/2008.

In this omer journal, I take a Jewish-mythic point-of-view which presumes that I, personally, together with all Jews past, present and future, left Egypt and stood at Mt. Sinai together. This perspective challenges each Jew to join the Jewish experience and not be limited by the actual historical time period in which one lives. This perspective places human imagination at the center of religious engagement.

Our leaving Egypt is only the beginning of our path to liberation. Free from the bonds of Pharaoh, we seek a better, more human life. We begin this journey by the shores of the Nile. We look back in awe at a sea now appearing normal after having miraculously parted. But what now?

[Here's the whole post.]


via negativa.

It was my birthday, and I had been given a live shrew in a box — not for a pet, but simply to admire and to photograph. I was a little disappointed at first that I didn’t get any real presents, but the shrew was an admirably fierce little creature who attacked anything thrust in its direction, and I soon appreciated the wisdom of the gesture: loaning me a fully wild creature, something that can never be owned or controlled. The idea that anyone can own anything — it’s such a delusion, isn’t it? But that’s what drives this mania of consumption imperiling the earth.

[Here's the whole post.]

[picture]

Mole.

Darling,
The rain you sent was mixed with snow.
I could not tell which between
The snowflakes and the apple blossom
On the black sidewalk; I woke and you were

[Here's the whole poem.]

[Picture]

The Middlewesterner.

You see what you see. Don't beat yourself up too badly about it. Tomorrow the sky will be something different, a blue sheerness of petticoat, a shiny muslin, a white gauze.

Metaphor takes you away; it doesn't bring you back. You come back on your own if you get here at all.

[Here's the whole post.]

[Picture]

Lekshe's Mistake.

Place
is not substance, not
a point in space,
more a point in time
when the conjunction of mind
and matter create
an experience
that
makes us believe there is a spot
to which we can return.

[Here's the whole poem.]


Marcia Bonta.

Dragoo, affectionately referred to as “Skunk Man,” has little or no sense of smell, so as a mephitologist he can easily study and live with skunks. When he wants one for his research, he chases it down, picks it up by its tail, and is liberally sprayed, because, as skunk expert Richard G. Van Gelder discovered back in the 1960s, you can only grab a skunk by the tail and escape being sprayed if you surprise the animal. Otherwise, it is able to evert its anus and expose the nipples from its huge and squishy scent sacs, which are then ready to fire even if you do pick it up by its tail.

[Here's the whole post.]

[child walking]

Dick Jones' Patteran Pages.

Your soft clock
scatters seconds like
peas on a drum.

A feather pulse
stutters in your
neck.

[Here's the whole poem.]

[duck photo]

Slow Reader.

Aubrey is the guru of the Shelf Monkeys, a secret ‘book club’ to which Thomas gets invited. “Some books are simply a waste of paper, a waste of effort both to write and to read.” The flaming cover of this novel is sufficient clue to the book burnings that ensue, inspired by Fahrenheit 451. Books burnings, by the literate?! Only for books deemed not worthy by the members’ code. “We meet, we debate, we burn. It’s therapy, really.” Things escalate quickly and darkly, Lord of the Flies style, and Thomas is compelled to choose between his loyalties to his friends, literature, ethics, and his sanity.

[Here's the whole post.]


blogroll

Blaugustine
Box Elder
The Cassandra Pages
Creature of the Shade
Crack Skull Bob
Daintee
Dialogues with Silence
Dick Jones's Patteran Pages
Empreintes
Everydayandeverynight.com
Feathers of Hope
Fragments from Floyd
Frizzy Logic
Heraclitean Fire
Hoarded Ordinaries
In a Dark Time
Irishmutt
Iron Monkey
Ivy Is Here
Lekshe's Mistake
Listening After Dark
Marcia Bonta
The Middlewesterner
Mole
My Gorgeous Somewhere
9 to 5 Poet
Not Native Fruit
On the Slow Train
Outside the Lines
Paula's House of Toast
Qarrtsiluni
The Rain in My Purse
Sage Said So
Scenes from a Slow-Moving Train
Shadow Cabinet
Simply Wait
Slow Reading
Spoil
Stony Moss
Tasting Rhubarb
3rd House Party
Tumblewords
Two Dishes but to One Table
Under the Fire Star
Velveteen Rabbi
Verbal Privilege
Via Negativa