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    chaise

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    fear the turtle

    granny

    hymn 236

    unless and until

    william at forty

friends

    curling (lekshe)

    footnotes (dale)

    hotel (patry)

    leturn (shai)

    morning drive (tom)

    st. luke's (steve)

    thank you (sage)

nash

    improvements

    they move

peter

    amazon, amazon!

    foretopmen

    hardball

    my kite

    pines

    wings, boats, asses

biography

    cleanth brooks

    abraham lincoln

    thomas merton

    wm. shakespeare

poetry

    wendell berry

    robert bly

    t. s. eliot

    garrison keillor

    czeslaw milosz

    tom montag*

    francis ponge

    gary soto

reading, writing, & criticism

    michael j. bugeja

    kelly gallagher

    e.d. hirsch

    j. hillis miller

    patricia t. o'conner

    p. t. o'conner (jr.)*

    francine prose

    robert j. ray*

    ronald b. schwartz

    george steiner

spirituality

    kim boykin*

    michael casey

    alister mcgrath

    john of the cross

    john a. mcguckin

    th. merton (chuang)

    th. merton (desert)

    chester p. michael*

    isabel briggs myers

    henri nouwen

    fiona robyn

    douglas v. steere

*with exclusive inerview

 
the words of another

[reviews]The Wisdom of the Desert, by Thomas Merton

 

The Shambhala Library Edition of Thomas Merton's The Wisdom of the Desert is a pretty little family album of some of Merton's favorite people. The book has the feel of the Everyman's Library Pocket Poets series, with the cloth bookmark and the gilt lettering on the cover. The package seems celebrate the men more than the sayings in Merton's vignettes from the Desert Fathers, and Merton would find that appropriate, I think.

The Wisdom of the Desert amounts to Merton's essay by the same name followed by "Some Sayings of the Desert Fathers," which has the lion's share of the book. Merton's enjoyment of the Desert Fathers, the name given to some of Christianity's first hermits and monks, is probably the only explanation of the vignettes' selection and order the reader may arrive at. In that way, The Wisdom of the Desert is similar to The Way of Chuang Tzu, Merton's paraphrase of works by the fourth century BC Chinese philosopher. In both books, Merton chose the selections he chose, and he made a point of not explaining or apologizing for his choices. One may guess that, as he did with Chuang Tzu, he wrote the book to share his idea of men who had become his friends.

There are a number of books in print about the Desert Fathers. I have read only three of these books besides Merton's: Henri Nouwen's The Way of the Heart, Anslem Gruen's Heaven Begins Within You, and John Anthony McGuckin's The Book of Mystical Chapters. Each has its strengths.

The chief strength of Merton's book may be its seeming ability to just get out of the way. Of course, we find Merton's Fathers hospitable, charitable, and nonjudgmental. But we also meet grouchy Fathers, bizarre Fathers, and seemingly legalistic Fathers. Their stories make us wonder at the sandblasting these souls took to earn their few words. Here's one of Merton's stories I didn't find in the more "inspirational" Desert Father books:

A certain brother, renouncing the world, and giving the things he owned to the poor, kept a few things in his own possession. He came to Abbot Anthony. When the elder heard about all this, he said to him: If you want to be a monk, do to that village and buy meat, and place it on your naked body and so return here. And when the brother had done as he was told, dogs and birds of prey tore at his body. When he returned to the elder, the latter asked if he had done as he was told. The brother showed him his lacerated body. Then Abbot Anthony said: Those who renounce the world and want to retain possession of money are assailed and torn apart by devils just as you were.

One may defend Abbot Anthony's purported directions in this story, but can one do it without hypocrisy? I can't. I can't say a word about it.

[book cover]The Fathers' words are attempts to throw a subject in a new light, and they are often concrete riddles to my ear. A hermit's answer to a seeker's question or situation may resemble a koan - a question posed by a Zen master to his disciple to help him awaken to his real self. In his introduction, Merton suggests that the lack of context unnecessarily exacerbates the riddling nature of some of the Fathers' sayings:

The answers [to the seekers' questions] were not intended to be general, universal prescriptions. Rather they were originally concrete and precise keys to particular doors that had to be entered, at a given time, by given individuals. Only later, after much repetition and much quotation, did they come to be regarded as common currency. It will help us to understand these sayings better if we remember their practical and, one might say, existential quality.

Whether specific or general, the sayings of the Father necessarily remain out of context, despite Merton's gift of a well-rounded collection of stories. We weren't there. To use the book, I must find my own context. "We cannot do exactly what they did," Merton acknowledges. Here's one of Merton's selections, in its entirety, that says as much:

Abbot Hor said to his disciple: Take care that you never bring into this cell the words of another.

Some of the last words I may wish to part with are in Merton's crackling essay. In the context of explaining the Desert Fathers, Merton describes the spiritual life offered by Christianity and not often exemplified.

The "rest" which these men sought was … a kind of simple nowhereness and no-mindedness that had lost all preoccupation with a false or limited "self." At peace in the possession of a sublime "Nothing" the spirit laid hold, in secret, upon the "All" - without trying to know what it possessed.

Maybe this is the rest that the writer of Hebrews urged his readers to labor to enter. And maybe this is the rest that David ordered his soul to return to.

 

 
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[tree]

the cassandra pages.

The drive west last week, across Vermont and into New York, was one of the most ethereal and beautiful trips I've ever made over that route. I traveled in silence, in the early morning, alone. The clouds still hung low over the Green Mountains, and a hazy fog persisted in the flatter pastures on the border between the two states south of Lake George - it would burn off later in the morning and expose the extreme heat we've had since. But in those early morning hours, the mountains and farmland were dreamy and quiet and empty as the space in which I was traveling.

[Here's the whole post.]


On the Slow Train.

What I had learned was folk etymology--what Wikipedia calls "A commonly held misunderstanding of the origin of a particular word, a false etymology." Folk etymologies are usually more interesting than the actual word origin. Sometimes folk etymologies can unfairly cast a bad light on some perfectly innocent words, such as picnic, or phrases such as rule of thumb. But for the most part, folk etymologies can be a lot of fun.

[Here's the whole post.]

[leaf]

Creature of the Shade.

But as soon as I asked it I knew she wouldn't be able to answer. I was looking for something like "north" or "west," but she, despite being a transport management professional, just didn't use such words to organize her sense of a city. She used words like "green building" and "flagpole." She could speak of left and right, but these narrative markers don't help you unless you're already on the right course.

[Here's the whole post.]


not native fruit.

I've just begun a new book by Susan Griffin, "Wrestling with the Angel of Democracy." So far, it lives up to Griffin's standards for exquisite reasoning and prose. She leads us through the labyrinth of her own inner experience where it meets the outer world of both history and current events. At certain points of connection with current events I remember feeling exactly what she expresses. I take it that the inference of the book's title is that, just as in the Bible story when Jacob wrestles with the angel of the Lord and will not let him go until the angel blesses him, we must now wrestle with the angel of democracy, and not let him go.

[Here's the whole post.]

[picture]

Everydayandeverynight.com.

I'm launching my journal again for 5768/2008.

In this omer journal, I take a Jewish-mythic point-of-view which presumes that I, personally, together with all Jews past, present and future, left Egypt and stood at Mt. Sinai together. This perspective challenges each Jew to join the Jewish experience and not be limited by the actual historical time period in which one lives. This perspective places human imagination at the center of religious engagement.

Our leaving Egypt is only the beginning of our path to liberation. Free from the bonds of Pharaoh, we seek a better, more human life. We begin this journey by the shores of the Nile. We look back in awe at a sea now appearing normal after having miraculously parted. But what now?

[Here's the whole post.]


via negativa.

It was my birthday, and I had been given a live shrew in a box — not for a pet, but simply to admire and to photograph. I was a little disappointed at first that I didn’t get any real presents, but the shrew was an admirably fierce little creature who attacked anything thrust in its direction, and I soon appreciated the wisdom of the gesture: loaning me a fully wild creature, something that can never be owned or controlled. The idea that anyone can own anything — it’s such a delusion, isn’t it? But that’s what drives this mania of consumption imperiling the earth.

[Here's the whole post.]

[picture]

Mole.

Darling,
The rain you sent was mixed with snow.
I could not tell which between
The snowflakes and the apple blossom
On the black sidewalk; I woke and you were

[Here's the whole poem.]

[Picture]

The Middlewesterner.

You see what you see. Don't beat yourself up too badly about it. Tomorrow the sky will be something different, a blue sheerness of petticoat, a shiny muslin, a white gauze.

Metaphor takes you away; it doesn't bring you back. You come back on your own if you get here at all.

[Here's the whole post.]

[Picture]

Lekshe's Mistake.

Place
is not substance, not
a point in space,
more a point in time
when the conjunction of mind
and matter create
an experience
that
makes us believe there is a spot
to which we can return.

[Here's the whole poem.]


Marcia Bonta.

Dragoo, affectionately referred to as “Skunk Man,” has little or no sense of smell, so as a mephitologist he can easily study and live with skunks. When he wants one for his research, he chases it down, picks it up by its tail, and is liberally sprayed, because, as skunk expert Richard G. Van Gelder discovered back in the 1960s, you can only grab a skunk by the tail and escape being sprayed if you surprise the animal. Otherwise, it is able to evert its anus and expose the nipples from its huge and squishy scent sacs, which are then ready to fire even if you do pick it up by its tail.

[Here's the whole post.]

[child walking]

Dick Jones' Patteran Pages.

Your soft clock
scatters seconds like
peas on a drum.

A feather pulse
stutters in your
neck.

[Here's the whole poem.]

[duck photo]

Slow Reader.

Aubrey is the guru of the Shelf Monkeys, a secret ‘book club’ to which Thomas gets invited. “Some books are simply a waste of paper, a waste of effort both to write and to read.” The flaming cover of this novel is sufficient clue to the book burnings that ensue, inspired by Fahrenheit 451. Books burnings, by the literate?! Only for books deemed not worthy by the members’ code. “We meet, we debate, we burn. It’s therapy, really.” Things escalate quickly and darkly, Lord of the Flies style, and Thomas is compelled to choose between his loyalties to his friends, literature, ethics, and his sanity.

[Here's the whole post.]


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Blaugustine
Box Elder
The Cassandra Pages
Creature of the Shade
Crack Skull Bob
Daintee
Dialogues with Silence
Dick Jones's Patteran Pages
Empreintes
Everydayandeverynight.com
Feathers of Hope
Fragments from Floyd
Frizzy Logic
Heraclitean Fire
Hoarded Ordinaries
In a Dark Time
Irishmutt
Iron Monkey
Ivy Is Here
Lekshe's Mistake
Listening After Dark
Marcia Bonta
The Middlewesterner
Mole
My Gorgeous Somewhere
9 to 5 Poet
Not Native Fruit
On the Slow Train
Outside the Lines
Paula's House of Toast
Qarrtsiluni
The Rain in My Purse
Sage Said So
Scenes from a Slow-Moving Train
Shadow Cabinet
Simply Wait
Slow Reading
Spoil
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Tasting Rhubarb
3rd House Party
Tumblewords
Two Dishes but to One Table
Under the Fire Star
Velveteen Rabbi
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