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    chaise

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    fear the turtle

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    hymn 236

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    william at forty

friends

    curling (lekshe)

    footnotes (dale)

    hotel (patry)

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nash

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peter

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    wings, boats, asses

biography

    cleanth brooks

    abraham lincoln

    thomas merton

    wm. shakespeare

poetry

    wendell berry

    robert bly

    t. s. eliot

    garrison keillor

    czeslaw milosz

    tom montag*

    francis ponge

    gary soto

reading, writing, & criticism

    michael j. bugeja

    kelly gallagher

    e.d. hirsch

    j. hillis miller

    patricia t. o'conner

    p. t. o'conner (jr.)*

    francine prose

    robert j. ray*

    ronald b. schwartz

    george steiner

spirituality

    kim boykin*

    michael casey

    alister mcgrath

    john of the cross

    john a. mcguckin

    th. merton (chuang)

    th. merton (desert)

    chester p. michael*

    isabel briggs myers

    henri nouwen

    fiona robyn

    douglas v. steere

*with exclusive inerview

 
skills in right-brained reading

[reviews]Sacred Reading: the Ancient Art of Lectio Divina, by Michael Casey

Sacred Reading is a study of lectio divina, the most widely-used form of Christian meditation over the past fifteen hundred years or so. Author Michael Casey is a scholar and a Cistercian monk, and his book has the balance and depth of both his scholarship and the cool, steady flame of his lectio divina practice. It is both a very good primer for and a companion to someone's practice in lectio divina.

Casey structures his book like a few of the shorter Pauline epistles - theory first, then practice. The theory includes a brief history of lectio, beginning with St. Benedict's Rule in the sixth century, and it includes a summary of the scriptural basis for lectio. His theory is most interesting when it speaks of reading in general, because it is here that a modern (or postmodern) newcomer to lectio needs to make major adjustments.

Lectio involves reading, meditation, prayer, and contemplation, but all four of these "steps" are based on the reading. Lectio reading is purposeful and yet mostly slow and right-brained - a contrast to the reading-for-information most of us have learned to master. Casey advocates approaching the reading stage much as St. Benedict decreed: choose a book of the Bible carefully, and then use it almost exclusively in one's lectio practice for several months.

Casey's section on spiritual reading, while certainly not comprehensive (the book contains only 151 pages), is a fascinating study of reading itself. Casey theorizes that the monks of the Middle Ages fell into successful reading practices because of the paucity of books, the practice of corporate reading, and a certain docility of attitude toward books. Casey believes that the modern reader generally does not expect to be changed by his reading. Our more critical approach, ironically, may contribute to our distrust of "anything that cannot be said plainly." Because we approach most texts for information, we are proficient at picking out information we need and discarding the rest. The unfortunate result is impatience and superficiality. "We have lost the skill of tracking through a complex argument to arrive at unassailable conclusions."

Benedictine monks, on the other hand, were more selective about their reading, since books had to be copied out by hand. Each day in the monastery included time for corporate reading, during which monks read the works they copied, omitting nothing.

Concerning meditation, Casey points out that we moderns are generally less willing to live in ambiguity, less willing to abide in "a patient receptivity" that may lead to enlightenment more fully than may a clamorous search for truth. "There is a kind of monotony that is not boredom but paves the way for a more profound experience," Casey writes.

Lectio reading and meditation is more circular than lineal, and it is more Platonic than Aristotelian in temperament. Casey believes that lectio reading "is like reading poetry: we need to slow down, to savor what we read, and to allow the text to trigger memories and associations that reside below the threshold of awareness."

[book cover]Lectio is not the same thing as study, but it benefits from our study of the text we have chosen. It is good to find out as much as we can about the text, and Casey lists a number of resources for the study of Scripture and of the Fathers.

To describe the skills we take to lectio, Casey resorts to the traditional "senses" of Scripture: the literal sense, the Christological (or allegorical) sense, the behavioral sense, and the mystical sense. He sums up the lectio progression in these terms this way:

In our industrious uncovering of the literal meaning of a text, we employ our . . . intellect. This is the level of brain work, where correct conclusions do not necessarily depend on faith or commitment. The Christological sense operates in a different space. It engages our memory. What we read is gradually relocated in an existing world of meaning, touched by grace and with a high level of personal persuasiveness. Progressively our conscience is activated. The word now comes to us as an inner command, understood only in honesty and embraced only by a practical willingness to obey. More and more, lectio divina is being marked by a relational character. We are more truthfully conscious both of God and of our essential selves. At this point the word has penetrated to the inmost level of our being, to the summit of our personhood. The word is addressed to our spirit, and at that level we become aware that the Word is no longer an intermediary between us and God; we experience the Word as Person.

Casey adheres to the traditional Catholic and mystical understanding of contemplation, which is that contemplation is a gift of a closer union with God here on earth. While unmerited, the gift may be cultivated through a lifelong commitment to lectio as well as other forms of meditation and to living out the Scriptures. Our notion of contemplation as something we do should not eclipse this important traditional concept.

Casey cautions that the progression among the four movements in lectio is merely a guide and not a cookbook. For instance, one may find her experience moving from reading to meditation and then back to reading again, as the practitioner becomes more used to guiding her soul through a session of lectio. He points out also that the existence of the "oratio," or prayer, portion of lectio does not suggest that prayer is not a part of every stage of lectio.

Casey tangentially includes a great section on memory, which he defines as "more than the ability to recall information. In a traditional sense it involves living in the presence of what is 'remembered,' just as mindfulness of a loved one may accompany all our activities." Casey credits Augustine with bringing a Platonic understanding of memory into Christianity: memory both as a faculty and as an act of perception. It is this faculty of memory that allows us to move from hearing the word to doing it. A lack of memory leads to a lack of freedom, since freedom requires the ability "to distance ourselves from immediate influence . . ."

Casey suggests that we allow Scripture to find its way into our memory, along with the assets and liabilities of our personal history, so that we will not be as quick to "dismiss the relevance of what exceeds our present understanding" as we read and meditate.

Sacred Reading also contains a short primer in the Patristic texts. Casey defines the texts of the early Fathers and Mothers in the faith, and he explains how we may ford the differences between the Patristic and modern mindsets. (This topic leads Casey into an excellent introductory discussion of the Greek influence on Christian thought.) He explains the relevance of the texts in terms of fleshing out concepts generally only touched upon in the New Testament: discernment, mystical union, and the dynamics of virtue and vice, for instance. Finally, Casey includes a short list of Patristic texts for the reader's consideration.

 

 
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[tree]

the cassandra pages.

The drive west last week, across Vermont and into New York, was one of the most ethereal and beautiful trips I've ever made over that route. I traveled in silence, in the early morning, alone. The clouds still hung low over the Green Mountains, and a hazy fog persisted in the flatter pastures on the border between the two states south of Lake George - it would burn off later in the morning and expose the extreme heat we've had since. But in those early morning hours, the mountains and farmland were dreamy and quiet and empty as the space in which I was traveling.

[Here's the whole post.]


On the Slow Train.

What I had learned was folk etymology--what Wikipedia calls "A commonly held misunderstanding of the origin of a particular word, a false etymology." Folk etymologies are usually more interesting than the actual word origin. Sometimes folk etymologies can unfairly cast a bad light on some perfectly innocent words, such as picnic, or phrases such as rule of thumb. But for the most part, folk etymologies can be a lot of fun.

[Here's the whole post.]

[leaf]

Creature of the Shade.

But as soon as I asked it I knew she wouldn't be able to answer. I was looking for something like "north" or "west," but she, despite being a transport management professional, just didn't use such words to organize her sense of a city. She used words like "green building" and "flagpole." She could speak of left and right, but these narrative markers don't help you unless you're already on the right course.

[Here's the whole post.]


not native fruit.

I've just begun a new book by Susan Griffin, "Wrestling with the Angel of Democracy." So far, it lives up to Griffin's standards for exquisite reasoning and prose. She leads us through the labyrinth of her own inner experience where it meets the outer world of both history and current events. At certain points of connection with current events I remember feeling exactly what she expresses. I take it that the inference of the book's title is that, just as in the Bible story when Jacob wrestles with the angel of the Lord and will not let him go until the angel blesses him, we must now wrestle with the angel of democracy, and not let him go.

[Here's the whole post.]

[picture]

Everydayandeverynight.com.

I'm launching my journal again for 5768/2008.

In this omer journal, I take a Jewish-mythic point-of-view which presumes that I, personally, together with all Jews past, present and future, left Egypt and stood at Mt. Sinai together. This perspective challenges each Jew to join the Jewish experience and not be limited by the actual historical time period in which one lives. This perspective places human imagination at the center of religious engagement.

Our leaving Egypt is only the beginning of our path to liberation. Free from the bonds of Pharaoh, we seek a better, more human life. We begin this journey by the shores of the Nile. We look back in awe at a sea now appearing normal after having miraculously parted. But what now?

[Here's the whole post.]


via negativa.

It was my birthday, and I had been given a live shrew in a box — not for a pet, but simply to admire and to photograph. I was a little disappointed at first that I didn’t get any real presents, but the shrew was an admirably fierce little creature who attacked anything thrust in its direction, and I soon appreciated the wisdom of the gesture: loaning me a fully wild creature, something that can never be owned or controlled. The idea that anyone can own anything — it’s such a delusion, isn’t it? But that’s what drives this mania of consumption imperiling the earth.

[Here's the whole post.]

[picture]

Mole.

Darling,
The rain you sent was mixed with snow.
I could not tell which between
The snowflakes and the apple blossom
On the black sidewalk; I woke and you were

[Here's the whole poem.]

[Picture]

The Middlewesterner.

You see what you see. Don't beat yourself up too badly about it. Tomorrow the sky will be something different, a blue sheerness of petticoat, a shiny muslin, a white gauze.

Metaphor takes you away; it doesn't bring you back. You come back on your own if you get here at all.

[Here's the whole post.]

[Picture]

Lekshe's Mistake.

Place
is not substance, not
a point in space,
more a point in time
when the conjunction of mind
and matter create
an experience
that
makes us believe there is a spot
to which we can return.

[Here's the whole poem.]


Marcia Bonta.

Dragoo, affectionately referred to as “Skunk Man,” has little or no sense of smell, so as a mephitologist he can easily study and live with skunks. When he wants one for his research, he chases it down, picks it up by its tail, and is liberally sprayed, because, as skunk expert Richard G. Van Gelder discovered back in the 1960s, you can only grab a skunk by the tail and escape being sprayed if you surprise the animal. Otherwise, it is able to evert its anus and expose the nipples from its huge and squishy scent sacs, which are then ready to fire even if you do pick it up by its tail.

[Here's the whole post.]

[child walking]

Dick Jones' Patteran Pages.

Your soft clock
scatters seconds like
peas on a drum.

A feather pulse
stutters in your
neck.

[Here's the whole poem.]

[duck photo]

Slow Reader.

Aubrey is the guru of the Shelf Monkeys, a secret ‘book club’ to which Thomas gets invited. “Some books are simply a waste of paper, a waste of effort both to write and to read.” The flaming cover of this novel is sufficient clue to the book burnings that ensue, inspired by Fahrenheit 451. Books burnings, by the literate?! Only for books deemed not worthy by the members’ code. “We meet, we debate, we burn. It’s therapy, really.” Things escalate quickly and darkly, Lord of the Flies style, and Thomas is compelled to choose between his loyalties to his friends, literature, ethics, and his sanity.

[Here's the whole post.]


blogroll

Blaugustine
Box Elder
The Cassandra Pages
Creature of the Shade
Crack Skull Bob
Daintee
Dialogues with Silence
Dick Jones's Patteran Pages
Empreintes
Everydayandeverynight.com
Feathers of Hope
Fragments from Floyd
Frizzy Logic
Heraclitean Fire
Hoarded Ordinaries
In a Dark Time
Irishmutt
Iron Monkey
Ivy Is Here
Lekshe's Mistake
Listening After Dark
Marcia Bonta
The Middlewesterner
Mole
My Gorgeous Somewhere
9 to 5 Poet
Not Native Fruit
On the Slow Train
Outside the Lines
Paula's House of Toast
Qarrtsiluni
The Rain in My Purse
Sage Said So
Scenes from a Slow-Moving Train
Shadow Cabinet
Simply Wait
Slow Reading
Spoil
Stony Moss
Tasting Rhubarb
3rd House Party
Tumblewords
Two Dishes but to One Table
Under the Fire Star
Velveteen Rabbi
Verbal Privilege
Via Negativa