[slow reads logo]

family

    chaise

    the comforter

    fear the turtle

    granny

    hymn 236

    unless and until

    william at forty

friends

    curling (lekshe)

    footnotes (dale)

    hotel (patry)

    leturn (shai)

    morning drive (tom)

    st. luke's (steve)

    thank you (sage)

nash

    improvements

    they move

peter

    amazon, amazon!

    foretopmen

    hardball

    my kite

    pines

    wings, boats, asses

biography

    cleanth brooks

    abraham lincoln

    thomas merton

    wm. shakespeare

poetry

    wendell berry

    robert bly

    t. s. eliot

    garrison keillor

    czeslaw milosz

    tom montag*

    francis ponge

    gary soto

reading, writing, & criticism

    michael j. bugeja

    kelly gallagher

    e.d. hirsch

    j. hillis miller

    patricia t. o'conner

    p. t. o'conner (jr.)*

    francine prose

    robert j. ray*

    ronald b. schwartz

    george steiner

spirituality

    kim boykin*

    michael casey

    alister mcgrath

    john of the cross

    john a. mcguckin

    th. merton (chuang)

    th. merton (desert)

    chester p. michael*

    isabel briggs myers

    henri nouwen

    fiona robyn

    douglas v. steere

*with exclusive inerview

 
they move

[characters]I got a letter from Nash:

Hi, Peter. I enjoyed your Slow Reads Digest that you pretty much forced me to subscribe to. I don’t get to read books too often, except I check out books on CD from Cracker Barrel when I’m on the road, which is like all the time now.

Last week I had business in Waynesboro, and on a lark I visited a farm I had seen off of 81 probably a dozen times before. Really the idea came the day before as I was passing the farm heading to Waynesboro. I didn’t think I’d seen the cows on the south end of that farm’s pasture before. I believe they were normally at the north end near a pond. But there they were, some sitting and some standing, most in the shade, some grazing and some staring at I know not what.

That night at the Super 8 I ordered a veggie pizza and for the umpteenth time forgot to tell them to hold the olives. I arranged the olives to simulate where I had seen the cows. The pizza box lid was the field on my last trip here, and the bottom of the box was the field earlier that day. The olives were probably not placed too well on the lid because I wasn’t really paying strict attention to the cows last trip. So I kind of jammed them together at the lid’s north end.

I stared at the box until two in the morning. I even ate three of the olives. I knew I had to visit the farm.

“How do you get them into position each day? Farm equipment? And how do you decide on the arrangement?” I was too embarrassed to say what I really think: that the cows seem as if they’re some sort of giant dice rolled after long intervals - maybe a day or more between each roll. Think of a colossal Yahtzee game, where you roll a lot of dice, except it matters where they land. It looks like – it just looks like – some opponent takes some meaning from the cows’ relative positions and then counters the next night with a throw of his own, either on the same farm or on one nearby.

The game is slow because it’s complicated, maybe more complicated than chess. It’s big and it's cosmic and somebody is telling somebody something.

I was careful not to say any of this. Although I’ve never met this farmer, I make it a practice to impress upon everyone I run into my ability to distinguish between my imagination and reality. I’ll need all the practice I can get when I call Tom Ridge.

“No. No equipment. They use their legs.” He looked at me squarely, and not without warmth. “They move.”

I’ve never seen a cow move. Granted, I’ve only driven by cows. But I’ve never heard of cows moving, either, except in nursery rhymes.

He was smiling now, leaning back. He cocked his head and studied his arrangement. “They got legs.”

I knew that, but I figured the legs were to prop up the operation, and to provide easy access to the udder for the calves and the farmer. But I was out of my element and said nothing.

I started down his gravel road. In the side view, I saw him turn his back to me and walk toward a shed. I stopped my car and arranged the olives on the lid to match what I saw. Clearly there had been some movement since yesterday. I could get technical but there’s no reason to here. And it’s not like I was using GPS or anything.

I’m starting small. I’m hoping to get a grant from The Old Farmer’s Almanac to study the connection between cow arrangements and long-term weather forecasting. I'd like to continue with this farmer because he was very nice. My working plan is to outfit the cows with battery-powered Rudolph noses in order to study their movements at night. It would be in December and I don’t think anything would look out of place.


[Inspired by Tom Montag’s “Morning Drive Journal,” in The Middlewesterner, May 13, 1998 entry: “The old horse is out to the far end of his pasture this morning. This is not usual. What is it a portent of?”]

 

 |

Posted May 2004

 

 

 

 
passages

The slow reads digest. A free, once-in-a-while ezine affording slow passages from here to there.

Enter email address and go.

[tree]

the cassandra pages.

The drive west last week, across Vermont and into New York, was one of the most ethereal and beautiful trips I've ever made over that route. I traveled in silence, in the early morning, alone. The clouds still hung low over the Green Mountains, and a hazy fog persisted in the flatter pastures on the border between the two states south of Lake George - it would burn off later in the morning and expose the extreme heat we've had since. But in those early morning hours, the mountains and farmland were dreamy and quiet and empty as the space in which I was traveling.

[Here's the whole post.]


On the Slow Train.

What I had learned was folk etymology--what Wikipedia calls "A commonly held misunderstanding of the origin of a particular word, a false etymology." Folk etymologies are usually more interesting than the actual word origin. Sometimes folk etymologies can unfairly cast a bad light on some perfectly innocent words, such as picnic, or phrases such as rule of thumb. But for the most part, folk etymologies can be a lot of fun.

[Here's the whole post.]

[leaf]

Creature of the Shade.

But as soon as I asked it I knew she wouldn't be able to answer. I was looking for something like "north" or "west," but she, despite being a transport management professional, just didn't use such words to organize her sense of a city. She used words like "green building" and "flagpole." She could speak of left and right, but these narrative markers don't help you unless you're already on the right course.

[Here's the whole post.]


not native fruit.

I've just begun a new book by Susan Griffin, "Wrestling with the Angel of Democracy." So far, it lives up to Griffin's standards for exquisite reasoning and prose. She leads us through the labyrinth of her own inner experience where it meets the outer world of both history and current events. At certain points of connection with current events I remember feeling exactly what she expresses. I take it that the inference of the book's title is that, just as in the Bible story when Jacob wrestles with the angel of the Lord and will not let him go until the angel blesses him, we must now wrestle with the angel of democracy, and not let him go.

[Here's the whole post.]

[picture]

Everydayandeverynight.com.

I'm launching my journal again for 5768/2008.

In this omer journal, I take a Jewish-mythic point-of-view which presumes that I, personally, together with all Jews past, present and future, left Egypt and stood at Mt. Sinai together. This perspective challenges each Jew to join the Jewish experience and not be limited by the actual historical time period in which one lives. This perspective places human imagination at the center of religious engagement.

Our leaving Egypt is only the beginning of our path to liberation. Free from the bonds of Pharaoh, we seek a better, more human life. We begin this journey by the shores of the Nile. We look back in awe at a sea now appearing normal after having miraculously parted. But what now?

[Here's the whole post.]


via negativa.

It was my birthday, and I had been given a live shrew in a box — not for a pet, but simply to admire and to photograph. I was a little disappointed at first that I didn’t get any real presents, but the shrew was an admirably fierce little creature who attacked anything thrust in its direction, and I soon appreciated the wisdom of the gesture: loaning me a fully wild creature, something that can never be owned or controlled. The idea that anyone can own anything — it’s such a delusion, isn’t it? But that’s what drives this mania of consumption imperiling the earth.

[Here's the whole post.]

[picture]

Mole.

Darling,
The rain you sent was mixed with snow.
I could not tell which between
The snowflakes and the apple blossom
On the black sidewalk; I woke and you were

[Here's the whole poem.]

[Picture]

The Middlewesterner.

You see what you see. Don't beat yourself up too badly about it. Tomorrow the sky will be something different, a blue sheerness of petticoat, a shiny muslin, a white gauze.

Metaphor takes you away; it doesn't bring you back. You come back on your own if you get here at all.

[Here's the whole post.]

[Picture]

Lekshe's Mistake.

Place
is not substance, not
a point in space,
more a point in time
when the conjunction of mind
and matter create
an experience
that
makes us believe there is a spot
to which we can return.

[Here's the whole poem.]


Marcia Bonta.

Dragoo, affectionately referred to as “Skunk Man,” has little or no sense of smell, so as a mephitologist he can easily study and live with skunks. When he wants one for his research, he chases it down, picks it up by its tail, and is liberally sprayed, because, as skunk expert Richard G. Van Gelder discovered back in the 1960s, you can only grab a skunk by the tail and escape being sprayed if you surprise the animal. Otherwise, it is able to evert its anus and expose the nipples from its huge and squishy scent sacs, which are then ready to fire even if you do pick it up by its tail.

[Here's the whole post.]

[child walking]

Dick Jones' Patteran Pages.

Your soft clock
scatters seconds like
peas on a drum.

A feather pulse
stutters in your
neck.

[Here's the whole poem.]

[duck photo]

Slow Reader.

Aubrey is the guru of the Shelf Monkeys, a secret ‘book club’ to which Thomas gets invited. “Some books are simply a waste of paper, a waste of effort both to write and to read.” The flaming cover of this novel is sufficient clue to the book burnings that ensue, inspired by Fahrenheit 451. Books burnings, by the literate?! Only for books deemed not worthy by the members’ code. “We meet, we debate, we burn. It’s therapy, really.” Things escalate quickly and darkly, Lord of the Flies style, and Thomas is compelled to choose between his loyalties to his friends, literature, ethics, and his sanity.

[Here's the whole post.]


blogroll

Blaugustine
Box Elder
The Cassandra Pages
Creature of the Shade
Crack Skull Bob
Daintee
Dialogues with Silence
Dick Jones's Patteran Pages
Empreintes
Everydayandeverynight.com
Feathers of Hope
Fragments from Floyd
Frizzy Logic
Heraclitean Fire
Hoarded Ordinaries
In a Dark Time
Irishmutt
Iron Monkey
Ivy Is Here
Lekshe's Mistake
Listening After Dark
Marcia Bonta
The Middlewesterner
Mole
My Gorgeous Somewhere
9 to 5 Poet
Not Native Fruit
On the Slow Train
Outside the Lines
Paula's House of Toast
Qarrtsiluni
The Rain in My Purse
Sage Said So
Scenes from a Slow-Moving Train
Shadow Cabinet
Simply Wait
Slow Reading
Spoil
Stony Moss
Tasting Rhubarb
3rd House Party
Tumblewords
Two Dishes but to One Table
Under the Fire Star
Velveteen Rabbi
Verbal Privilege
Via Negativa