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*with exclusive inerview

 
northeast philadelphia and the memorial church of st. luke

[characters]by Steve of On the Slow Train

[Steve's preface: In the next few weeks I‘ll be able to return to my beloved Midwest. I just accepted an offer to transfer to that most punned city of Illinois, Normal. Even before I received the transfer offer I began putting together highlights of my year (actually year and a half) in Philadelphia. I’ll begin with a look at the Far Northeast Philadelphia, taken from the prologue to a novel I hope to write. The narrator may be a lot like me, but he's still fictional: I came to Philadelphia for financial reasons only. No failed marriage, no love affair, and I'll withhold judgment on the job. But St. Luke's Church has been a refuge for me:]

I had come to Philadelphia for escape--to flee a failed marriage, a dead-end job, and the memory of a love affair that had doomed both marriage and career. The city I found was not the Philadelphia of William Penn, Benjamin Franklin or Edgar Allan Poe, but Far Northeast Philly, a vast suburban sprawl which happened to be inside the city limits. That’s not quite true. There was beauty in Northeast Philadelphia. One just had to look for it. There was Pennypack Park, that lovely stretch of forest and stream which meandered through the Northeast. There was of Bustleton, the Civil War-era village now surrounded by post-World War II development. And within Bustleton was the Memorial Church of St. Luke, an English country church in all but location.

St. Luke’s provided solace for me that first year after I left the Midwest for the City of Brotherly Love. I found out quickly that I did not belong on the East Coast--that I was what writer Hamlin Garland called a “son of the middle border.” But the little Episcopal church was a refuge from the stresses of living alone in a strange city.

Like many small urban parishes, St. Luke’s was struggling financially. I regret that I could only afford a few dollars on some weekends and nothing on many. And because the parish didn’t have a lot of money, it had trouble keeping a rector. When the last rector transferred to a wealthier parish, there was a temporary rector, and then a series of visiting priests--retired clergy or priests who worked outside the church.

It was January--the feast of the Epiphany. I was struggling with depression and did not want to get out of bed that morning. But I told myself that this was an important day in the church year, and dragged myself out of bed, ate my usual breakfast of fruit juice, peanut butter toast and instant cocoa, dressed, and walked the six blocks from my apartment over to St. Luke’s.

It was a cold day, but bright, and I began to feel better as I breathed in the crisp air. Walking up Old Newtown Road, I passed the one holdout Victorian house at the corner of Gregg Street, and tried to imagine the neighborhood as it had been when St. Luke’s was built. At the top of the hill, I headed west on Welsh Road, and made my way to the red door of St. Luke’s.

The red door was once a sign of sanctuary. Because Christ’s blood had been shed for all, the red door was a sign that no blood was to be shed within that door. I doubt whether the church would be able to offer sanctuary today, though why such thoughts entered my mind, I didn’t know.

I found my usual pew, just behind the choir, and had time for a brief prayer before the organist began the processional: “Songs of thankfulness and praise, Jesus, Lord to the we raise…” A young black girl led the procession, carrying the cross in front of her. I bowed to the cross as she passed by. The other two acolytes, a white boy and girl followed, and joined the cross-bearer on the altar. Then came the lector, holding the Bible high above her head. The choir followed, filing into the pews in front of me, singing, “Anthems be to thee addrest, God in man made manifest.”

The priest, a woman with graying black hair,was last in the procession. It was only when she turned to enter the pulpit that I recognized a face I had last seen behind the doors of Trinity Episcopal Church in Iowa City, where she had sought sanctuary from an enemy I did not then understand. As we sang the third stanza, those intense brown eyes focused on me. Was I imagining it, or was she singing it for me--for us?

Manifest in making whole
Palsied limbs and fainting soul;
Manifest in valiant fight,
Quelling all the devil’s might;
Manifest in gracious will,
Ever bringing good from ill;
Anthems be to thee addrest,
God in man made manifest.


© 2005 Steve of On the Slow Train
Used by permission.

 

 

 
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[tree]

the cassandra pages.

The drive west last week, across Vermont and into New York, was one of the most ethereal and beautiful trips I've ever made over that route. I traveled in silence, in the early morning, alone. The clouds still hung low over the Green Mountains, and a hazy fog persisted in the flatter pastures on the border between the two states south of Lake George - it would burn off later in the morning and expose the extreme heat we've had since. But in those early morning hours, the mountains and farmland were dreamy and quiet and empty as the space in which I was traveling.

[Here's the whole post.]


On the Slow Train.

What I had learned was folk etymology--what Wikipedia calls "A commonly held misunderstanding of the origin of a particular word, a false etymology." Folk etymologies are usually more interesting than the actual word origin. Sometimes folk etymologies can unfairly cast a bad light on some perfectly innocent words, such as picnic, or phrases such as rule of thumb. But for the most part, folk etymologies can be a lot of fun.

[Here's the whole post.]

[leaf]

Creature of the Shade.

But as soon as I asked it I knew she wouldn't be able to answer. I was looking for something like "north" or "west," but she, despite being a transport management professional, just didn't use such words to organize her sense of a city. She used words like "green building" and "flagpole." She could speak of left and right, but these narrative markers don't help you unless you're already on the right course.

[Here's the whole post.]


not native fruit.

I've just begun a new book by Susan Griffin, "Wrestling with the Angel of Democracy." So far, it lives up to Griffin's standards for exquisite reasoning and prose. She leads us through the labyrinth of her own inner experience where it meets the outer world of both history and current events. At certain points of connection with current events I remember feeling exactly what she expresses. I take it that the inference of the book's title is that, just as in the Bible story when Jacob wrestles with the angel of the Lord and will not let him go until the angel blesses him, we must now wrestle with the angel of democracy, and not let him go.

[Here's the whole post.]

[picture]

Everydayandeverynight.com.

I'm launching my journal again for 5768/2008.

In this omer journal, I take a Jewish-mythic point-of-view which presumes that I, personally, together with all Jews past, present and future, left Egypt and stood at Mt. Sinai together. This perspective challenges each Jew to join the Jewish experience and not be limited by the actual historical time period in which one lives. This perspective places human imagination at the center of religious engagement.

Our leaving Egypt is only the beginning of our path to liberation. Free from the bonds of Pharaoh, we seek a better, more human life. We begin this journey by the shores of the Nile. We look back in awe at a sea now appearing normal after having miraculously parted. But what now?

[Here's the whole post.]


via negativa.

It was my birthday, and I had been given a live shrew in a box — not for a pet, but simply to admire and to photograph. I was a little disappointed at first that I didn’t get any real presents, but the shrew was an admirably fierce little creature who attacked anything thrust in its direction, and I soon appreciated the wisdom of the gesture: loaning me a fully wild creature, something that can never be owned or controlled. The idea that anyone can own anything — it’s such a delusion, isn’t it? But that’s what drives this mania of consumption imperiling the earth.

[Here's the whole post.]

[picture]

Mole.

Darling,
The rain you sent was mixed with snow.
I could not tell which between
The snowflakes and the apple blossom
On the black sidewalk; I woke and you were

[Here's the whole poem.]

[Picture]

The Middlewesterner.

You see what you see. Don't beat yourself up too badly about it. Tomorrow the sky will be something different, a blue sheerness of petticoat, a shiny muslin, a white gauze.

Metaphor takes you away; it doesn't bring you back. You come back on your own if you get here at all.

[Here's the whole post.]

[Picture]

Lekshe's Mistake.

Place
is not substance, not
a point in space,
more a point in time
when the conjunction of mind
and matter create
an experience
that
makes us believe there is a spot
to which we can return.

[Here's the whole poem.]


Marcia Bonta.

Dragoo, affectionately referred to as “Skunk Man,” has little or no sense of smell, so as a mephitologist he can easily study and live with skunks. When he wants one for his research, he chases it down, picks it up by its tail, and is liberally sprayed, because, as skunk expert Richard G. Van Gelder discovered back in the 1960s, you can only grab a skunk by the tail and escape being sprayed if you surprise the animal. Otherwise, it is able to evert its anus and expose the nipples from its huge and squishy scent sacs, which are then ready to fire even if you do pick it up by its tail.

[Here's the whole post.]

[child walking]

Dick Jones' Patteran Pages.

Your soft clock
scatters seconds like
peas on a drum.

A feather pulse
stutters in your
neck.

[Here's the whole poem.]

[duck photo]

Slow Reader.

Aubrey is the guru of the Shelf Monkeys, a secret ‘book club’ to which Thomas gets invited. “Some books are simply a waste of paper, a waste of effort both to write and to read.” The flaming cover of this novel is sufficient clue to the book burnings that ensue, inspired by Fahrenheit 451. Books burnings, by the literate?! Only for books deemed not worthy by the members’ code. “We meet, we debate, we burn. It’s therapy, really.” Things escalate quickly and darkly, Lord of the Flies style, and Thomas is compelled to choose between his loyalties to his friends, literature, ethics, and his sanity.

[Here's the whole post.]


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Blaugustine
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Dialogues with Silence
Dick Jones's Patteran Pages
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Everydayandeverynight.com
Feathers of Hope
Fragments from Floyd
Frizzy Logic
Heraclitean Fire
Hoarded Ordinaries
In a Dark Time
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Ivy Is Here
Lekshe's Mistake
Listening After Dark
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The Middlewesterner
Mole
My Gorgeous Somewhere
9 to 5 Poet
Not Native Fruit
On the Slow Train
Outside the Lines
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Qarrtsiluni
The Rain in My Purse
Sage Said So
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Two Dishes but to One Table
Under the Fire Star
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