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family

    chaise

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    fear the turtle

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    curling (lekshe)

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nash

    improvements

    they move

peter

    amazon, amazon!

    foretopmen

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    wings, boats, asses

biography

    cleanth brooks

    abraham lincoln

    thomas merton

    wm. shakespeare

poetry

    wendell berry

    robert bly

    t. s. eliot

    garrison keillor

    czeslaw milosz

    tom montag*

    francis ponge

    gary soto

reading, writing, & criticism

    michael j. bugeja

    kelly gallagher

    e.d. hirsch

    j. hillis miller

    patricia t. o'conner

    p. t. o'conner (jr.)*

    francine prose

    robert j. ray*

    ronald b. schwartz

    george steiner

spirituality

    kim boykin*

    michael casey

    alister mcgrath

    john of the cross

    john a. mcguckin

    th. merton (chuang)

    th. merton (desert)

    chester p. michael*

    isabel briggs myers

    henri nouwen

    fiona robyn

    douglas v. steere

*with exclusive inerview

 
improvements

[characters]He looked at the old house, then turned and said, "We'll be married before it needs paint again."

She squeezed the bristles under the spigot, and her hands ached with white water. Dark hair stuck out from the front of her paper cap; she pushed a tuft behind an ear with the moist back of her hand. A general shadow from the front cedars contorted itself across the cellar doors. She looked for her sweatshirt.

“What else you got planned,” she said, without curiosity or even inflection. She kept his calendar, after all. It worked like this: every January Brad would choose between the funeral home calendar and the real estate agent one, and he'd pin the winner on the living room wall with a thumb tack. He kept the days blank, and Linen would move the months for him when she was by herself there. Still, the old calendar usually was showing September or October when he put up the new one. (After dating Brad a few years, Linen quietly accepted his view that November and December sort of took care of themselves.)

Brad's path was slow and narrow and cleared of all social obligation. He was a maintenance man, and his life was a hard rhythm against a tuneless cycle of repairs at work and home. Linen lived by this rhythm because she had none of her own. Her mind would drift to accompanying his rhythm with new instruments and music she might find within herself to play. She knew their relationship could improve, but she knew also that improvements had sharp edges for Brad and took him some getting used to. She knew he would file down an improvement in his mind until the idea became as dull as any maintenance item -- until he could get his hand around the idea as comfortably as he could a paint brush.

She glanced up at him now. She was pushing her hair again, this time with dry hands rubbing against the thickening paint in her hair. What does he see when he sees me? she wondered.

“What?” He met her eyes. “You put the tops on the cans out front, right?”

She walked around front. The high, white shine was off of the house, and the low autumn sun threw vague shades of orange and pink against the boards, suggesting an uneven coat. Linen turned and studied the sun as a moviegoer might look back at a malfunctioning projector. She looked at the house again, this time longer than she had ever looked into a man's eyes. Dusk was coming, and the boards were becoming as indistinguishable as the years.

[In response to “A Line Waiting for its Story,” posted on December 27, 2004 at The Middlewesterner.]


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Posted December 2004

 
passages

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[tree]

the cassandra pages.

The drive west last week, across Vermont and into New York, was one of the most ethereal and beautiful trips I've ever made over that route. I traveled in silence, in the early morning, alone. The clouds still hung low over the Green Mountains, and a hazy fog persisted in the flatter pastures on the border between the two states south of Lake George - it would burn off later in the morning and expose the extreme heat we've had since. But in those early morning hours, the mountains and farmland were dreamy and quiet and empty as the space in which I was traveling.

[Here's the whole post.]


On the Slow Train.

What I had learned was folk etymology--what Wikipedia calls "A commonly held misunderstanding of the origin of a particular word, a false etymology." Folk etymologies are usually more interesting than the actual word origin. Sometimes folk etymologies can unfairly cast a bad light on some perfectly innocent words, such as picnic, or phrases such as rule of thumb. But for the most part, folk etymologies can be a lot of fun.

[Here's the whole post.]

[leaf]

Creature of the Shade.

But as soon as I asked it I knew she wouldn't be able to answer. I was looking for something like "north" or "west," but she, despite being a transport management professional, just didn't use such words to organize her sense of a city. She used words like "green building" and "flagpole." She could speak of left and right, but these narrative markers don't help you unless you're already on the right course.

[Here's the whole post.]


not native fruit.

I've just begun a new book by Susan Griffin, "Wrestling with the Angel of Democracy." So far, it lives up to Griffin's standards for exquisite reasoning and prose. She leads us through the labyrinth of her own inner experience where it meets the outer world of both history and current events. At certain points of connection with current events I remember feeling exactly what she expresses. I take it that the inference of the book's title is that, just as in the Bible story when Jacob wrestles with the angel of the Lord and will not let him go until the angel blesses him, we must now wrestle with the angel of democracy, and not let him go.

[Here's the whole post.]

[picture]

Everydayandeverynight.com.

I'm launching my journal again for 5768/2008.

In this omer journal, I take a Jewish-mythic point-of-view which presumes that I, personally, together with all Jews past, present and future, left Egypt and stood at Mt. Sinai together. This perspective challenges each Jew to join the Jewish experience and not be limited by the actual historical time period in which one lives. This perspective places human imagination at the center of religious engagement.

Our leaving Egypt is only the beginning of our path to liberation. Free from the bonds of Pharaoh, we seek a better, more human life. We begin this journey by the shores of the Nile. We look back in awe at a sea now appearing normal after having miraculously parted. But what now?

[Here's the whole post.]


via negativa.

It was my birthday, and I had been given a live shrew in a box — not for a pet, but simply to admire and to photograph. I was a little disappointed at first that I didn’t get any real presents, but the shrew was an admirably fierce little creature who attacked anything thrust in its direction, and I soon appreciated the wisdom of the gesture: loaning me a fully wild creature, something that can never be owned or controlled. The idea that anyone can own anything — it’s such a delusion, isn’t it? But that’s what drives this mania of consumption imperiling the earth.

[Here's the whole post.]

[picture]

Mole.

Darling,
The rain you sent was mixed with snow.
I could not tell which between
The snowflakes and the apple blossom
On the black sidewalk; I woke and you were

[Here's the whole poem.]

[Picture]

The Middlewesterner.

You see what you see. Don't beat yourself up too badly about it. Tomorrow the sky will be something different, a blue sheerness of petticoat, a shiny muslin, a white gauze.

Metaphor takes you away; it doesn't bring you back. You come back on your own if you get here at all.

[Here's the whole post.]

[Picture]

Lekshe's Mistake.

Place
is not substance, not
a point in space,
more a point in time
when the conjunction of mind
and matter create
an experience
that
makes us believe there is a spot
to which we can return.

[Here's the whole poem.]


Marcia Bonta.

Dragoo, affectionately referred to as “Skunk Man,” has little or no sense of smell, so as a mephitologist he can easily study and live with skunks. When he wants one for his research, he chases it down, picks it up by its tail, and is liberally sprayed, because, as skunk expert Richard G. Van Gelder discovered back in the 1960s, you can only grab a skunk by the tail and escape being sprayed if you surprise the animal. Otherwise, it is able to evert its anus and expose the nipples from its huge and squishy scent sacs, which are then ready to fire even if you do pick it up by its tail.

[Here's the whole post.]

[child walking]

Dick Jones' Patteran Pages.

Your soft clock
scatters seconds like
peas on a drum.

A feather pulse
stutters in your
neck.

[Here's the whole poem.]

[duck photo]

Slow Reader.

Aubrey is the guru of the Shelf Monkeys, a secret ‘book club’ to which Thomas gets invited. “Some books are simply a waste of paper, a waste of effort both to write and to read.” The flaming cover of this novel is sufficient clue to the book burnings that ensue, inspired by Fahrenheit 451. Books burnings, by the literate?! Only for books deemed not worthy by the members’ code. “We meet, we debate, we burn. It’s therapy, really.” Things escalate quickly and darkly, Lord of the Flies style, and Thomas is compelled to choose between his loyalties to his friends, literature, ethics, and his sanity.

[Here's the whole post.]


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